Criticas - Bendito Spoiler

Críticas

Samara Weaving y Karl Glusman en película Velocidad Salvaje

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de ‘Velocidad Salvaje’, película de autos y criminales (Disney+)

Esta película tiene buenas persecuciones de autos aunque el resultado final es decepcionante.

Leonardo Kram agosto 29, 2025

John Cena en Peacemaker 2

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de la 2da temporada de ‘Peacemaker’: ¿De qué va? (DC)

El antihéroe más maleducado de DC Cómics se propone a reescribir su propia historia y la del nuevo universo compartido.

Leonardo Kram agosto 24, 2025

Hostage netflix escena

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de ‘Hostage’, la miniserie del momento en Netflix

Correcta y poco arriesgada historia sobre una primera ministra que se enfrenta a múltiples crisis.

Leonardo Kram agosto 24, 2025

Vanessa Kirby en La noche siempre llega de Netflix

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de ‘La noche siempre llega’ (‘Night Always Comes’) (Netflix)

Vanessa Kirby protagoniza este sencillo pero efectivo thriller que está entre lo más visto de esta semana.

Leonardo Kram agosto 23, 2025

Fixed o despelote pelicula animada de Netflix

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de ‘Despelote’ (‘Fixed’), una animación de Netflix no apta para menores

Comedia de animación no apta para menores de edad del creador de ‘Dexter’ y ‘Samurai Jack’.

Leonardo Kram agosto 17, 2025

Eva Victor y un gato en la pelicula sorry baby

<img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' data-src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' data-srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo lazyload' height='128' width='128' src='data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==' style='--smush-placeholder-width: 128px; --smush-placeholder-aspect-ratio: 128/128;' /><noscript><img alt='Leonardo Kram' src='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=128&d=mm&r=g' srcset='https://secure.gravatar.com/avatar/cac5f19a79286ddea2484d000ee31f63?s=256&d=mm&r=g 2x' class='avatar avatar-128 photo' height='128' width='128' />

Crítica de ‘Sorry, baby’, la película independiente del año

Una casi desconocida Eva Victor narra una compleja historia sobre el abuso sexual, la amistad y la adultez con humor, contundencia y ternura. (Atención: se cuentan detalles del argumento)

Leonardo Kram agosto 17, 2025

Críticas

REDES SOCIALES

CINE

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